The Boatman’s Call

RELEASE
March 04, 1997
LABEL
Mute/Reprise
GENRES
Pop/Rock, Alternative Pop/Rock, Alternative/Indie Rock, Contemporary Singer/Songwriter

Album Review

Murder Ballads brought Nick Cave's morbidity to near-parodic levels, which makes the disarmingly frank and introspective songs of The Boatman's Call all the more startling. A song cycle equally inspired by Cave's failed romantic affairs and religious doubts, The Boatman's Call captures him at his most honest and despairing -- while he retains a fascination for gothic, Biblical imagery, it has little of the grand theatricality and self-conscious poetics that made his albums emotionally distant in the past. This time, there's no posturing, either from Cave or the Bad Seeds. The music is direct, yet it has many textures, from blues to jazz, which offer a revealing and sympathetic bed for Cave's best, most affecting songs. The Boatman's Call is one of his finest albums and arguably the masterpiece he has been promising throughout his career.
Stephen Thomas Erlewine, Rovi

Track Listing

  1. Into My Arms
  2. Lime Tree Arbour
  3. People Ain't No Good
  4. Brompton Oratory
  5. There Is a Kingdom
  6. (Are You) The One That I've Been Waiting For?
  7. Where Do We Go Now but Nowhere?
  8. West Country Girl
  9. Black Hair
  10. Idiot Prayer
  11. Far From Me
  12. Green Eyes