Australian-born composer and producer Paul Schütze is among the most focused and prolific artists of the contemporary experimental electronic scene. Releasing album after album of sprawling, icy, often difficult ambient and electro-acoustic music, Schütze's work has most often been grouped with post-industrial ambient/isolationist artists such as Lull, Main, and Thomas Köner. While the depth of detail and breadth of sound obtained in Schütze's work already confounds that association, albums such as Site Anubis and Abysmal Evenings do contain their share of deep, dark, highly cinematic soundscapes (Schütze spent several of his years in Australia composing for film). Although he bemoans the rampant genre hybridity characteristic of many of his colleagues in both the dance-based underground and the more academic experimental overground (Schütze's discography includes entries for industrial/experimental labels Sentrax and Big Cat, Belgian ambient/techno label Apollo, work with ethno-ambient industrialists O Yuki Conjugate, and collaborations with avant-funk pioneer Bill Laswell), Schütze has moved increasingly toward incorporating rhythmic and percussive structures and ideas from not only ethnic musical traditions (he started out as a percussionist, and has studied Indian percussion formally), but also the more experimental strains of dance-based electronica.