Through his extensive work with artists including
Carole King and
James Taylor, ace session guitarist
Danny Kortchmar helped create the signature sound of the singer/songwriter era. A native of New York City, he first emerged during the mid-'60s in local bands including the
Kingbees and the
Flying Machine, the latter featuring a then-unknown
Taylor. In 1967
Kortchmar joined
the Fugs, appearing on their
Tenderness Junction LP before following bassist
Charles Larkey to California, where they teamed with
King in the short-lived trio the
City. Though the group disbanded after the commercial failure of their 1969 debut
Now That Everything's Been Said, both continued backing
King on her subsequent solo career; in 1970,
Kortchmar also reunited with
Taylor for the latter's breakthrough album,
Sweet Baby James, and with his subsequent work on
King's landmark
Tapestry, he established himself among the top West Coast session guitarists of the period.
Amidst this flurry of activity,
Kortchmar and
Larkey also reunited in the band
Jo Mama, debuting with a self-titled 1970 LP;
J Is for Jump followed a year later. In 1973,
Kortchmar made his solo debut with
Kootch; a second effort,
Innuendo, appeared toward the end of the decade, but for the most part, he remained best known as a backing musician, lending his talents to records from artists including
Linda Ronstadt,
Warren Zevon,
Harry Nilsson, and
Jackson Browne. In 1982 he co-wrote a number of tracks on
Don Henley's solo debut
I Can't Stand Still, most notably the smash "Dirty Laundry"; around the same time
Kortchmar began moving into production as well, helming material for a variety of motion picture soundtracks as well as recordings from
Neil Young,
Jon Bon Jovi, and
Billy Joel. By the mid-'90s he was also producing a new generation of performers, including
Freedy Johnston and the
Spin Doctors.
–
Jason Ankeny, Rovi